Today at PT, Teedub worked out on a brand new Proprio Reactive Balance System, a cutting edge tool used by everyone from NASA to the Atlanta Falcons on up to Tanja. It’s brand new to her facility, so the company sent a trainer and, using Tanja as the talent, they shot a video that will be used to get the rest of the staff up to speed.
The Proprio is basically a platform you stand on and it challenges your balance. You’re wearing a motion-capture belt, so the sensors can track what you’re doing and, more importantly perhaps how you’re doing it. Though now that I’ve written that sentence, I’m not sure what the difference is. . . Essentially, the goal is to keep your balance and not get pitched from the machine, but the exact way you recenter your self will differ depending on a variety of factors and that in turn informs your therapy.
The trainer pointed out, on numerous occasions, the way Tanja’s compensatory movements differed from that of a healthy individual. Of course, part of the reason Tanja was up there–beyond whatever benefit she might glean–was to give the therapists something “abnormal” to look at. Otherwise anyone of the the PTs could’ve been the video guinea pig.
That said, by the time the session was over, Tanja felt thoroughly demoralized from all the little lessons she had provided.
“You see here,” the trainer said, pointing at a screen invisible to Tanja. “She’s compensating forward.”
“Could it be,” the PT asked, “that given the nature of her injury, she’s just being super careful not to fall backward?”
“Excellent hypothesis. Yes. But at some point you need to move through the world like you’re confident.”
“I suppose,” Tanja said to me later, “I just wanted all gold stars in every test, but they probably needed me to fail just so they could see how it works.”
Needless to say, I jumped in and gently suggested that there is a big area between gold stars and failure, that “fail” was probably a less than generous or accurate word to use, that the whole point of having therapy is to find room for improvement and that pretty much everything the admittedly flat-footed trainer said indicated that Tanja is at a place from which she can progress to the next place which is a good thing not a failure.
And all that is true, sure. And it had to be said. But it just replaces one person telling Tanja she’s wrong with another delivering essentially the same message. And at a certain point, one grows tired of being corrected by people who don’t actually know what the hell is going on. Even with all the help and all the love, Tanja is alone in that body. The feelings she experiences–the constantly changing sensations in her arms and legs, the pain and tightness in her shoulders, that goddamn brace–she experiences alone.
I suppose that’s true of all of us. No matter how empathetic we or the people around us are, we’re just guessing. Language is an approximation. Our gut instinct, notoriously inaccurate. So, I guess you just keep trying, keep plenty of slack handy, and rejoice in those occasions when you seem to get it right.
Lucky thirteen on the Collar Countdown Calendar!
The Telephone
“When I was just as far as I could walk
From here to-day,
There was an hour
All still
When leaning with my head against a flower
I heard you talk.
Don’t say I didn’t, for I heard you say—
You spoke from that flower on the window sill—
Do you remember what it was you said?”
“First tell me what it was you thought you heard.”
“Having found the flower and driven a bee away,
I leaned my head,
And holding by the stalk,
I listened and I thought I caught the word—
What was it? Did you call me by my name?
Or did you say—
Someone said ‘Come’—I heard it as I bowed.”
“I may have thought as much, but not aloud.”
“Well, so I came.”
–Robert Frost

